Search This Blog

Saturday, 22 April 2017

Just a Geek by Wil Wheaton

I've had Just a Geek on my reading list for some time now, but I have only really felt my interest in Wil Wheaton flare up more recently after getting back into Geek & Sundry's output again, specifically Critical Role and Tabletop. Since I was mostly familiar with Wheaton's work from around 2012 onwards, I was looking forward to reading about his work from before then.


Just a Geek is a collection of essays centred around entries that Wil Wheaton made on his personal blog wilwheaton.net, focusing on the entries between the website's inception in 2001 and the book's publication in 2004. In these essays, he focuses mainly on his struggles as an actor famous enough to be too recognisable for throwaway commercials but no longer famous enough to pull in huge crowds, as well as his complicated love-hate relationship with Star Trek and the community surrounding it.
It's kind of weird reading Just a Geek since most of my impression of Wheaton's work is from since he became something of a geek icon in more recent years. I didn't really see anything of Star Trek beyond the original series until I started dating my husband just over 7 years ago. By then, Wheaton had pretty much moved on from being "that guy who used to be famous when he was a kid" to someone who worked a little bit in all kinds of fields. I mean, I think the first thing I watched that featured Wheaton in the cast was Teen Titans, so to think that for years he was Wesley Crusher in the eyes of the world is a bit surreal really. As such, it was an unexpectedly sober reading experience, trying to mesh the charming persona that I had seen on Tabletop with the frustrated impotence of some of the early blog entries that are included here. There is a word that I had heard in my experiences on the internet called Sonder, the definition of which is as follows:
"The realisation that each random passerby is living a life as vivid and complex as your own - populated with their own ambitions, friends, routines, worries and inherited craziness - an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you'll never know existed, in which you might only appear once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk." 
While it mainly applies to random people who may cross your path only once, I do think it has more general applications. With Wheaton, it was something of a shock to hear him talking about just how depressing it could get with regards to wasted career opportunities, auditions that went to flavour-of-the-moment actors, and the difficulties balancing work and family life, because while he does come across as a lot more genuine than a lot of actors, you do get the realisation that there is a lot more under the surface than perhaps you want to acknowledge when watching something silly and fun like Tabletop. And maybe you get to see the shape of how his life continued, to the point where the 2010s come along and he seems to be in a much better place, though still looking enviably baby-faced. I guess what I'm trying to say is that I appreciated just how much Wheaton admits to his audience here. It's a brave thing to do, especially for someone so inextricably linked to the near-universally disliked Wesley Crusher.

An interesting and touching collection of essays that focuses on his difficulties with his prior child star status and his growing investment in blogging and writing. His style is incredibly readable, with a lot of charm and personality. Also kudos has to go to him for focusing on some tough subjects that most people would try and gloss over. 5/5

Next review: Little Brother by Cory Doctorow

Signing off,
Nisa.

Thursday, 20 April 2017

Boneshaker by Cherie Priest

Boneshaker has been on my reading list for a fair while now, picked up as part of a geeky bundle. I was definitely looking forward to this one though, as it combines one of my favourite sub-genres, steampunk, with something looking horror elements. I was keen to see how it would pan out.


In an alternate history where the Civil War has been raging for two decades, an attempt to mine through the frozen Klondike for gold leads to disaster when the massive drill known as the Boneshaker destroys huge parts of downtown Seattle and releases a previously subterranean gas that turns those unfortunate to breathe it into the living dead. Sixteen years later, the worst affected parts of the city have been sealed off by walls, and the widow and son of the Boneshaker's inventor, Leviticus Blue, are trying to make a living whilst dealing with the ignominy of their relative's devastating actions. When Ezekiel makes his way into the sealed off city determined to find proof of his father's lack of malicious intent, Briar must find a way through the living dead and heavily armed criminals still living in the ravaged city in order to bring her son back.
Boneshaker was something of a slow burner for me. While I absolutely loved Briar and her sections trying to reach her son whilst regretting all the things that she never felt ready to tell him about his father, I was less keen on Zeke's sections. While there's nothing outright wrong about the way that he's written, I just find his kind of character irritating. An ounce of prevention being worth a pound of cure and all, it's more interesting watching Briar's more considered approach as opposed to Zeke's "I have maps and a mask, I have no more need for preparation" plan of attack, which inevitably leads to a lot of blind panic. He does get better by the end though, so it's worth it to plough through his sections of blundering in the middle of the book. And Boneshaker is definitely worth finishing. Keeping in mind that it's alternate history and thus there are some massive creative liberties that have been taken with regards to historical accuracy, you can really tell that Priest is enthusiastic about the period and tries to keep as much historical flavour as possible within her re-imagined chronology. It makes the world feel a lot more grounded and realistic than a lot of other fantasy/science-fiction books, even compared to series where comparatively little is different to the real world. I can't really think of many people that I couldn't recommend this to.

A steampunk story that feels a lot more grounded than other examples in the genre even considering the additional undead, Boneshaker is definitely a book that I would recommend picking up for fans of the genre or those looking to for an introduction to steampunk. I personally found Zeke's sections in the middle to be a bit tiresome at times, but they are more than made up for by Briar's sections and he does gradually get some decent character development. The characters are solid, and there is some decent intrigue. 4.5/5

Next review: Just a Geek by Wil Wheaton

Signing off,
Nisa.

Saturday, 8 April 2017

Fool Moon by Jim Butcher

So it's been a while since I last read anything from Jim Butcher's Dresden Files. Having spent some time reading other material, I was really looking forward to finding out how the series would progress. That and I could see my husband positively twitching as I read anything but Dresden Files or Discworld. Be aware that there may be spoilers for Storm Front below.


Fool Moon sees Harry about 6 months after the end of the previous book, and he is still feeling the negative consequences of it. Murphy doesn't trust him after he went after her suspect alone and withheld information about the case from her. As such, the work that he's gotten from the police has slowly been dwindling over the months. But when Murphy comes to him with what looks like werewolf attacks, it soon becomes clear that there is a lot more at stake than just his next paycheck.
This is a pretty entertaining continuation of the series, and a far more entertaining subject. Much as werewolves have been overdone before, it's much more of a tangible threat than magical drug dealers and amps up the tension more than a human enemy would. With regards to the werewolves, it does take a fun turn and introduces several different types to worry about, from wizards who transform their bodies with magic, to humans empowering themselves with demonic items, to those unfortunate people possessed by a demon. The benefit of having all the different types be relevant at some point means that there is variation in strengths and weaknesses that accordingly varies up the action.
Additionally, it was nice to see the consequences of Harry's actions coming back to bite him. Because, much as I like him as a character, he does have an annoying tendency to try and play protector, especially with the women in his life. And that most often means withholding information that he thinks would be dangerous for them to know. Honestly, that would be so much more irritating if it weren't obvious that the people he's denying information to didn't completely ignore his attempts to push them out of danger. I hope it doesn't go much further in the series though, because although I do relish seeing how it all backfires, I can see it getting really old really fast.
Lastly, I liked seeing more of the human characters previously introduced. While I'm still a bit lukewarm towards Susan, I was more than happy to see more of Murphy and Johnny Marcone. I probably shouldn't, but there's a big part of me that adores the gentleman gangster. I look forward to seeing more of the police and Chicago's criminal underworld a lot more in further installments.

An excellent continuation of the series. There are a few issues that aren't big enough to cause concern here, but I would be disappointed to see them continue in the series as a whole. Overall, it's a fun and at times terrifying romp with werewolves. There's some good expansion on the human characters already introduced, and more hints of a larger conspiracy in the background. 4.5/5

Next review: Boneshaker by Cherie Priest

Signing off,
Nisa.

Sunday, 2 April 2017

The Mayor of Casterbridge by Thomas Hardy

The Mayor of Casterbridge isn't necessarily a book that I would have picked up of my own volition, had it not been for my dad. My dad isn't usually the type to really gush about the things that he reads, but from a fairly early age I've known that he really likes Thomas Hardy. As such, I figured that I'd try out one of his books, see if it's rubbed off on me.


The Mayor of Casterbridge starts when main character Michael Henchard sells his wife and baby girl in a drunken fit of pique, an action that he regrets immediately upon waking the next day. It then skips ahead nearly twenty years, when his wife and grown up daughter track him down to the agricultural town of Casterbridge. There they find that he has become a rich and well-respected member of the community. He invites them to come and live with him, to make up for his poor decision, but it soon becomes apparent that the consequences of that day are still making themselves known.
I found this a bit of an odd book to read, as on the one hand the prose can be a bit dense and slow-going at times, but it is then combined with a plot in which a lot of active events happen within a comparatively short space of time. So there is a part of me that wants to describe this as a slow-burner, but then I know that with the amount that actually happens it doesn't feel like an accurate description. In regards to the actual plot, a lot of it is the kind of Victorian social drama that I quite like, although the main character's headstrong personality does see it get very dramatic and scandalous quickly and surprisingly often.
The main draw for The Mayor of Casterbridge is the characters. The main ones that contribute to the plot are Henchard, his daughter Elizabeth, his would-be protegee Farfrae and a mysterious woman from Henchard's past Lucetta. Mostly it's the first and last characters whose actions most impact the plot. Keeping with my regular rule of avoiding spoilers, I shan't be expanding much on Lucetta. But even without her, there would probably be an impressive amount of plot stemming purely from Henchard as a character. He is pretty perfect as a main character in a tragedy, as he is an intensely passionate person and is more or less incapable of moderating his emotions and impulses. With someone that volatile, it's almost inevitable that something unfortunate will happen. Farfrae and Elizabeth are comparatively passive, but they nicely balance out two very outgoing characters with emotional moderation.

It's a bit dense at times, and surprisingly intense with the sheer amount that happens within the bounds of the plot. But it is fascinating just watching the chaos caused by the main character's energy and inability to moderate his emotions. I don't know how good a place this is to start with regards to Hardy's work as a whole, but I would certainly consider reading other works of his in future. 4/5

Next review: Fool Moon by Jim Butcher

Signing off,
Nisa.